Sun. Jul 14th, 2024

On the lookout for a great scare, however unsure the place to start out? The excellent news is Prime Video boasts fairly a couple of high quality horror movies, even when the instructed title algorithm does not at all times deliver the cream of the crop to the forefront. Whether or not you are on the lookout for zombies, witches, horror-comedy, or just about the rest throughout the board, there’s loads to select from.

No person likes to get misplaced within the infinite streaming scroll, so we’re making it straightforward to separate one of the best from the remainder with our commonly up to date checklist of one of the best horror films streaming on Prime Video proper now. Get your popcorn prepared, bust out the blanket, and settle in for some spookytimes. We’ll be updating and increasing this checklist commonly, so you should definitely come again for the newest suggestions and newly added titles.

For extra suggestions, try our checklist of one of the best films on Prime Video or one of the best horror movies on Netflix and Hulu.

Editor’s be aware: This checklist was up to date March 2023 to incorporate Nanny.

RELATED: The Greatest Films on Prime Video Proper Now



Hell Home LLC (2015)

Run Time: 1 hr 23 min | Director: Stephen Cognetti

Solid: Kristin Michelle Taylor, Jeb Kreager, Theodore Bouloukos

Do not be fooled by the title. This isn’t a documentary however a discovered footage – and utterly fictional – movie. The mysterious deaths of 15 guests and workers in a single night time of a Halloween haunted attraction, Hell Home, hang-out the small, upstate New York city of Abaddon. A documentary crew heads on the market to attempt to discover the reason for the deaths, and alongside the best way, they discover images, movie footage… and a survivor to go on the report about what occurred. A chilling and efficient addition to the discovered footage subgenre. – Alyse Wax

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Nanny (2022)

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Run Time: 1 hr 39 min | Director: Nikyatu Jusu

Solid: Anna Diop, Michelle Monaghan, Sinqua Partitions

Nanny is the characteristic movie debut of author/director Nikyatu Jusu, who delivers a fever dream of horror imagery that’s unsettling and evocative. Specializing in Aisha (Anna Diop), an unlawful immigrant working as a nanny for a New York household to earn cash to deliver her younger son and cousin to America, the story rapidly spins out right into a realm of spirits and supernatural visions. Stricken by visions and the sensation of drowning in each her goals and waking life, Aisha has to dig into the reason for these assaults on her psyche whereas attempting to take care of the American household’s baby. – Tauri Miller

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The Purge (2013)

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Run Time: 1 hr 25 min | Director: James DeMonaco

Solid: Ethan Hawke, Lena Headey, Max Burkholder, Adelaide Kane

The delivery of the franchise, The Purge comes from author/director James DeMonaco, who captures the heart-racing nervousness of his intelligent and horrific idea. Exploring the character of humanity and the realities of societal decay, The Purge exposes these themes by way of gore and scary film tropes. Broaching fascinating philosophical questions by way of a crude narrative extra invested in shock worth than mental dialogue, The Purge is about in a world the place, throughout a 12-hour interval allowing any and all crime, a murderous gang syndicate holds a rich household hostage. Starring Ethan Hawke (Moon Knight) and Lena Headey(Recreation of Thrones),The Purge is a ugly movie with heavy concepts expressed by way of bloody visuals. – Yael Tygiel

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Run Sweetheart Run (2020)

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Run Time: 1 hr 44 min | Director: Shana Feste

Solid: Ella Balinska, Pilou Asbæk, Clark Gregg, Shohreh Aghdashloo

Run Sweetheart Run is directed by Shana Feste, co-writer with Keith Josef Adkins and Kellee Terrell, and follows Cherie (Ella Balinska) as a younger girl who finds herself on a date gone mistaken. Co-starring Pilou Asbæk (Recreation of Thrones) because the sadistic puppetmaster of the horrific journey, Run Sweetheart Run explores the terrifying realities of contemporary courting by way of overly exaggerated, viciously gory scenes. Additionally that includes expertise like Clark Gregg (Brokers of SHIELD) and Shohreh Aghdashloo (The Expanse), Run Sweetheart Run is a perfect look ahead to horror followers, oozing with pleasure whereas calmly layering in a darkish message. – Yael Tygiel

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My Greatest Good friend’s Exorcism (2022)

Run Time: 1 hr 37 min | Director: Damon Thomas

Solid: Elsie Fisher, Amiah Miller, Rachel Ogechi Kanu, Cathy Ang

An homage to traditional horror of the ‘80s, My Greatest Good friend’s Exorcism is a pointy new horror-comedy starring younger skills Elsie Fisher and Amiah Miller. Because the title suggests, the movie showcases two greatest associates: Abby (Fisher) and Gretchen (Miller), who’re each struggling by way of highschool. Issues get much more difficult when, after a go to to a creepy cabin within the woods and a few Ouija board enjoying, Gretchen begins feeling a bit of…off. Supernatural issues abound, and it’s as much as Abby to save lots of her. As foolish as it’s scary, My Greatest Good friend’s Exorcism is a enjoyable watch in the event you’re within the temper for one thing that’s a bit of spooky and a number of enjoyable. – Taylor Gates

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Candyman (2021)

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Run Time: 1 hr 31 min | Director: Nia DaCosta

Solid: Yahya Abdul-Mateen II, Teyonah Parris, Nathan Stewart-Jarrett

Co-written by Jordan Peele(Get Out,Us), who has cleverly and intentionally shifted away from his comedic fame by constructing a stable catalog of profound and suspenseful thrillers, comes a sequel to the 1992 traditional of the identical title. Candyman is a continuation of the story, rooted in a horrific narrative stemming from America’s racist historical past. Starring Yahya Abdul-Mateen II (Aquaman) and Teyonah Parris (WandaVision), Candyman expands upon the unique mythology of the property, happening in the identical metropolis the place the journey started whereas reinvigorating it for a up to date viewers. Together with Peele, director and co-writer Nia DaCosta creates a contemporary horror movie with a thought-provoking story. – Yael Tygiel

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Prepare to Busan (2016)

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Run Time: 1 hr 58 min | Director: Sang-ho Yeon

Solid: Gong Yoo, Ma Dong-Seok, Jung Yu-mi

This Korean zombie flick was stated to reinvigorate the subgenre when it was launched in 2016. Vacationers on a bullet prepare from Seoul to Busan should combat for his or her lives when a virus outbreak turns commuters into zombies. It is “zombies on a prepare” however much less tacky. Motion and gore soak this frenetic portrayal of zombie insanity. – Alyse Wax

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The Wailing (2016)

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Run Time: 2 hr 36 min | Director: Na Hong-jin

Solid: Kwak Do-won, Hwang Jung-min, Chun Woo-hee

Watching The Waling is a bit like catching sight of one thing humanity was by no means meant to see. It’s peeking behind a rickety curtain that was left deliberately askew and instantly wishing you by no means noticed by way of the cracks as a result of there’s positively one thing sinister as hell again there. The South Korean crime thriller-meets-demonic nightmare facilities on Kwak Do-Wan’s everyman detective Jong-Goo, who’s drawn into the nasty realm of demons and spirits when his job leads him to a string of horrifying murders. Every crime is dedicated by a dazed perpetrator fallen ailing with a extreme rash, and when he wakes as much as discover his daughter in the identical situation, his life quickly spins uncontrolled as he desperately tries to uncover the supply of the scourge. Director Hong-jin Na retains the tempo pounding and the surprises coming (together with probably the greatest on-screen makes use of of lightning of all time) and he’s seemingly incapable of backing down from the grim or the grisly. I gained’t lie, The Wailing can be fairly complicated on a primary watch, particularly to a Western viewer, however like a mirror of the movie itself, investigating its that means solely appears to attract out additional horrors. — Haleigh Foutch

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Chopping Mall (1986)

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Run Time: 1 hr 35 min | Director: Jim Wynorski

Solid: Kelli Maroney, Tony O’Dell’ Barbara Crampton, Karrie Emmerson, Russell Todd, Nick Segal, Dick Miller

Chopping Mall is 80s to the utmost; the neon, the hair, the overtly sensationalist nudity, however within the place of your common slasher killer, Chopping Mall pits a gang of lusty teenagers towards a trio of lethal, malfunctioning mall safety robots. Locked within the high-tech shopping center in a single day with the laser-eyed murderbots rolling up behind their each transfer, the kids arm up and combat again to the quintessential 80s digital rating. Whacky and unafraid to be extra enjoyable than scary, Chopping Mall is a pleasant B-movie the place individuals say issues like “I am simply not was once chased round a mall in the midst of the night time by killer robots” with a straight face. The entire movie has that cheeky self-awareness, together with some none-too-subtle style references — it even options one among Consuming Raoulduo Paul Bartel and Mary Woronov’s seventeen movie cameos as The Blands. Humorous and endlessly entertaining, Chopping Mall is an ideal throwback midnight film. Thanks, have a pleasant day. — Haleigh Foutch

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The Huge of Night time (2019)

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Run Time: 1 hr 31 min | Director: Andrew Patterson

Solid: Sierra McCormick and Jake Horowitz

The indie sci-fi movie The Huge of Night time is palms down probably the greatest movies of 2020, and a beautiful shock. Set in Fifties New Mexico, the story principally follows a switchboard operator (Sierra McCormick) and a radio DJ (Jake Horowitz) investigating a wierd sound coming by way of the radio throughout a giant highschool basketball recreation. That premise may go mistaken any variety of methods, however at each flip Huge of Night time pleasantly surprises. It’s Spielbergian in that it clearly attracts affect from movies like E.T. and Shut Encounters of the Third Form, but in addition has a voice and magnificence all its personal. The wildly compelling screenplay is filled with delightfully crackerjack dialogue that evokes screwball comedies of the 40s and 50s, whereas Andrew Patterson’s route favors lengthy takes and distinctive pictures that lay the intrigue on thick because the story performs out totally in real-time. Add in a layer of Twilight Zone-esque terror, and The Huge of Night time is a movie you gained’t quickly neglect, asserting its writers, director, and forged as new skills to look at. – Adam Chitwood

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Vivarium (2019)

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Run Time: 1 hr 37 min | Director: Lorcan Finegan

Solid: Imogen Poots, Jesse Eisenberg, Jonathan Aris

When you like Twilight Zone-inspired contained tales of horror and existential dread, boy does Prime Video have the fitting horror film streaming for you. Lorcan Finegan’s Vivarium is darkish as hell and a walloping bummer, nevertheless it’s an excellent dangerous time. Imogen Poots and Jesse Eisenberg star as a pair on the hunt for his or her first dwelling and wind up trapped in a surreal suburban neighborhood from which there is not any escaping. Irrespective of what number of streets they drive by way of, what number of fences they hop, they simply cannot get out. Then the nightmare child exhibits up. On the floor, Vivarium is an efficient portrait of the horrors of getting trapped in a white-picket-fence life you by no means wished, however the scarier, rather more efficient undercurrent comes from the best way the movie embraces the merciless indifference of nature’s life cycles and the helplessness of being caught in them. — Haleigh Foutch

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Decision (2012)

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Run Time: 1 hr 33 min | Director: Justin Benson and Aaron Moorhead

Solid: Peter Cilella, Vinny Curran, Emily Montague, Zahn McClarnon

The characteristic debut from Spring and The Limitless filmmaking duo Justin Benson and Aaron Moorhead, Decision is a gradual burn, surprisingly expansive existential thriller that builds a complete universe from the confines of a distant cabin. Petter Cilella and Vinny Curran co-star as two previous associates who head for a getaway at stated cabin — however what one does not know is that the opposite plans to maintain them there by no matter means obligatory till he breaks his good friend of his drug behavior. That character drama offers the stable basis from which Benson’s script builds a Lovecraftian terror when an unknown, unseen power begins sending them messages and toying with them, additional trapping them of their dingy little pit of despair. It is a gradual burn that sticks the touchdown with an unforgettable conclusion, and it lowkey packs in sufficient mythology that Benson and Moorhead have constructed a complete cinematic world out of it. The truth is, when you end Decision, you may head over to Netflix to look at the semi-sequel The Limitless. — Haleigh Foutch

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The Reef (2010)

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Run Time: 1 hr 34 min | Director: Andrew Traucki

Solid: Damian Walshe-Howling, Adrienne Pickering, Zoe Naylor, Gyton Grantley, Kiernan Darcy-Smith

The Reef is a formidable train in rigidity that does loads with a bit of. The movie follows 4 associates who set out to soak up the sights of the Nice Barrier Reef and discover themselves stranded at sea when their boat capsizes. With the few provides they salvage, they make the onerous option to swim out by way of shark-infested waters fairly than wait round for the slim probability of rescue on their sinking ship. However as soon as they’re within the water, a blood-thirsty nice white catches their scent and hunts them down one-by-one.

Author/director Andrew Traucki takes simply sufficient time to put some dramatic groundwork earlier than he unleashes sickening rigidity with the crash and by no means lets up, staging a gradual burn till the shark’s reveal, which is liable to take your breath away. The Reef was filmed with actual sharks, and the primary assault is a shocking, intensely anxious expertise that may have you ever curling up your toes in worry. (No small because of the actors, who promote the fear with each guttural scream and ashen grimace.) There’s one egregiously silly character and the ending is a bit abrupt and merciless, however total, The Reef is a tense, technically completed survival thriller with one critically scary shark. — Haleigh Foutch

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Suspiria (2018)

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Run Time: 2 hr 32 min | Director: Luca Guadagnino

Solid: Dakota Johnson, Tilda Swinton, Mia Goth, Chloë Grace Moretz

Name Me By Your Identify director Luca Guadagnino brings all his sensuality and artistry to 2018’s Suspiria. Extra of a sibling movie to Dario Argento’s iconic horror traditional than an outright remake, Suspiria depicts its highly effective magical darkness by way of the context of generational strife and fascist powerplay, embedding the supernatural within the psychological to extraordinary outcomes. Suspiria is a phantasmagoria of violence, magic, and motion that feels pulled from the previous methods of some unknown ritual. Artwork, dance, horror, and the human spirit come out to play in Guadagnino’s coven, conjuring the uncanny and a sense of true witchcraft that’s as stirring and profound as it’s sometimes terrifying. Give your self to the dance, certainly, as a result of Guadagnino’s movie offers you no different alternative. — Haleigh Foutch

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Night time of the Residing Useless (1968)

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Run Time: 1 hr 36 min | Director: George A. Romero

Solid: Duane Jones, Judith O’Dea, Marilyn Eastman

The zombies in George A. Romero’s Night time of the Residing Useless are referred to as “ghouls” however nonetheless, that is the movie that created the film zombie as we all know them: clean, inconsiderate creatures who lumber round with vacant stares and barely retain any resembling sense of their humanity. For that reason, the joys of the film zombie has usually been in seeing how our heroes with brains dispatch them with nice effectivity and cruelty. They’re now not human, in spite of everything.

Nevertheless, re-watch Romero’s movie and take a look at to not escape with having extra sympathy for the “ghouls” than many of the people. The residing people largely solely retain humanity’s weakest discovered attributes: prejudice, xenophobia, and selfishness. Essentially the most selfless non-ghoul we comply with (Duane Jones) is famously shot—after valiantly preventing towards the ghouls—just because his pores and skin coloration triggers a suspicious response to the person on the opposite finish of the rifle. However Romero vegetation many different mistrust of authority motifs all through Night time of the Residing Useless. In 1968, latest public opinion on the struggle of Vietnam and within the police ways throughout the Civil Rights motion had shifted to now not give blanket belief of greatest intentions to legislation enforcement, generals, and troopers. They’re human in spite of everything, and lots of people harbor ailing intent to others. Simply watch the burial of the as soon as human ghouls who’re dragged out by meat hooks and burned in a pile and take a look at not to consider any xenophobic struggle or a horrific systemic view of the “different”. –Brian Formo

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Ginger Snaps (2000)

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Run Time: 1 hr 48 min | Director: John Fawcett

Solid: Katharine Isabelle, Emily Perkins, Kris Lemche, Mimi Rogers, Jesse Moss

John Fawcett‘s spin on the werewolf mythos ought to be thought-about among the many ranks of the trendy monster classics, and simply probably the greatest werewolf films, however exterior horror circles it is too usually forgotten. A coming-of-age story through lycanthropy, Ginger Snaps tells an intimate story about two death-obsessed, co-dependent sisters who’re slowly torn aside when the older lady begins to vary after a werewolf assault. Ginger Snaps was one of many early adopters of the Twenty first-century pattern to deal with feminine puberty by the use of monstrous transformation (see additionally: Tooth, Wildling, Revenge, amongst many others), and it does so with nice impact, nevertheless it’s additionally a downright well-made horror movie. The consequences are on level, the characters are relatable and sympathetic (even these like the highschool imply lady, the native drug peddler, and the attractive teenage boy are handled with a dose of empathy), and the actors all dedicated of their pulpy roles. Ginger Snaps places a intelligent spin on a number of themes — sexuality, sisterhood, loneliness, outsider satisfaction and the need to belong — and in doing so, it places a contemporary spin on one among horror’s most long-standing genres. –Haleigh Foutch

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The Neon Demon (2016)

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Run Time: 1 hr 58 min | Director: Nicolas Winding Refn

Solid: Elle Fanning, Keanu Reeves, Abbey Lee, Jena Malone, Bella Heathcote, Karl Glusman and Christina Hendricks

Nicholas Winding Refn definitely is aware of learn how to make a divisive film. Like Solely God Forgives earlier than it, Refn’s Neon Demon was jeered at Cannes and met with break up response from critics and moviegoers alike. That is not too stunning. It is specific and nebulous, and seemingly devoted to make the viewers as uncomfortable as potential as usually as potential. It is also staggeringly stunning, however depart it to Refn to make a shallow film in regards to the pitfalls of being shallow. Elle Fanning stars as Jesse, a manipulative underaged monster within the making who has “that factor” everybody desires, and she or he is aware of it. Quickly climbing the ranks of the style trade, Jesse believes her personal hype and goes full Narcissus, drawing the ire of three skilled trade execs who envy her youth, straightforward magnificence, and fast success. Alongside the best way, shit will get actually loopy. The Neon Demon’s acquired stunning girls basking in blood, it is acquired superb Technicolor visions of cannibalism and self-worship, and it is acquired simply means an excessive amount of necrophilia. All the identical, it is a gorgeous visible accomplishment and it by no means abandons character in favor of the shock, it embeds them in one another. The Neon Demon could not have loads to say, however what it does, it says superbly. — Haleigh Foutch

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The Greasy Strangler (2016)

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Run Time: 1 hr 33 min | Director: Jim Hosking

Solid: Elizabeth De Razzo, Sky Elobar, Michael St. Michaels

Decidedly not for everybody, TheGreasy Strangler is a blast, and I’m no bullshit artist. The characteristic movie debut from Jim Hosking has incited a number of pearl-clutching and gasps of horror because it debuted at Sundance earlier this yr, and it’s straightforward sufficient to see why — it’s absurd, unapologetic, and indecent by nearly each standard normal, however the fantastic thing about The Greasy Strangler is the truth that it doesn’t care about standard requirements in any respect. Overlook about photoshopping, and narrative guidebooks, and all of the little security packing containers that must be checked off when a movie tries to be a four-quadrant image. The Greasy Strangler appears like Grindhouse incarnate, a midnight film sprung from the very soul of midnight films to make you cringe and guffaw and quote one-liners you’ll most likely by no means be capable to get out of your head. –Haleigh Foutch

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Triangle (2009)

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Run Time: 1 hr 39 min | Director: Christopher Smith

Solid: Melissa George, Liam Hemsworth, Joshua McIvor, Michael Dorman Rachael Carpani, Henry Nixon, Emma Lung

After placing a delightfully cheeky spin on the backwoods slasher style together with his 2006 movies Severance, writer-director Christopher Smith acquired much more inventive together with his subsequent movie, the time loop mind-bender Triangle. Centered on Melissa George‘s Jess, a girl with an undisclosed supply of agony behind her surface-level calm, Triangle sees a gaggle of associates on a yachting journey by way of the Bermuda Triangle, the place they escape to a passing ocean liner within the midst of a horrible storm. As soon as aboard, they discover that the huge ship is deserted, and what’s worse, they’re being stalked by a hooded murderous determine who seems to be the one different inhabitant on the vessel. It’s tough to speak about Triangle with out freely giving its many intelligent twists and turns, however a vicious time loop repeatedly thrusts the group into the nightmare state of affairs the place Jess emerges on the coronary heart of a thriller which may simply maintain the important thing to their escape. Smith makes essentially the most of his twisty idea with an intricately designed narrative of overlapping timelines, and plenty of hanging and artistic that showcase the horror of being caught in a hellish time loop. — Haleigh Foutch

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