Warning: The next accommodates SPOILERS from Yellowjackets season 2, episode 5.
The Yellowjackets soundtrack is thought for having a combination of highly effective female-led ballads and a few grungy ’90s favorites. After all, as with all film or tv present, music performs an enormous position in setting the tone. The ’90s songs that underscore a few of Yellowjackets’ most stunning occasions aren’t simply restricted to the 1996 timeline both, as who can overlook Portishead’s steamy rendition of “Glory Field” overlapping Shauna’s clarification of her dissection of the rabbit from her backyard in season 1. The Yellowjackets soundtrack is designed to immerse audiences into the gritty world Ashley Lyle, Bart Nickerson, and Jonathan Lisco have created.
Just like the Yellowjackets season 1 soundtrack, the Yellowjackets season 2 rating helps ingratiate viewers into the dismal and violent world of the aircraft crash survivors whereas concurrently chronicling the group’s descent into insanity because the full-blown cannibal winter is upon them. To date, the season 2 soundtrack hasn’t been fairly as optimistic as the primary installment’s. Effectively-known bangers like Salt-N-Pepa’s “Shoop” or Marky Mark and the Funky Bunch’s “Good Vibrations” have been songs for a less complicated time. The Yellowjackets season 2 soundtrack foreshadows the damaging highway the teammates and their grownup counterparts discover themselves on because the storyline solely will get darker from right here.
Yellowjackets Season 2, Episode 1, “Mates, Romans, Countrymen”
“Seventeen” by Sharon Van Etten: Sharon Van Etten’s gloomy 2019 monitor “Seventeen” is the primary music to be heard on the Yellowjackets season 2 soundtrack, and it performs over the opening of the premiere. The music underscores the primary pictures of the snowy mountains of the Canadian wilderness and the cabin the women are staying in, in addition to Lottie’s time in a psychological well being facility after they’re rescued.
“Drown (Edit)” by The Smashing Pumpkins: The Smashing Pumpkins 1992 music “Drown (Edit)” performs as Jackie and Shauna have their first hallucinated dialog within the meat shed. Yellowjackets discovered the creepiest technique to convey Jackie again, and accompanying Shauna’s imaginative and prescient with lyrics like “Irrespective of the place you’re, I can nonetheless hear you while you drown” is all too becoming.
“A Evening in Rio” by Graham de Wilde: Generally it is necessary to interrupt the strain, and Graham de Wilde’s atmospheric “A Evening in Rio” does simply that. The music performs whereas Jeff is busy working his furnishings retailer. However, sadly, the strain ratchets again up when he will get a name from Shauna about Adam’s artwork studio.
“#1 Crush” by Rubbish: By no means was there a extra becoming second for Rubbish’s steamy 1995 music “#1 Crush” to play. The monitor underscores Jeff and Shauna’s time masking up Adam’s footage of her in his forgotten artwork studio, main right into a passionate second between the couple and arguably some of the stunning moments within the Yellowjackets season 2 premiere.
“Final Resort” by Papa Roach: The memorable 2000 hit “Final Resort” by Papa Roach is listened to by Jeff whereas he works out his emotions within the household minivan by bopping alongside to the music and beating on the steering wheel.
“Cornflake Woman” by Tori Amos: Tori Amos’ 1994 piano ballad “Cornflake Woman” closes out the Yellowjackets season 2 premiere, accompanying among the season’s most intriguing moments, together with when Callie finds Adam’s burned-up driver’s license within the household grill and when Shauna does the unthinkable and eats Jackie’s ear.
Yellowjackets Season 2, Episode 2, “Edible Complicated”
“No Room for a Nihilist in Hollywood” by Peachy!: Peachy!’s 2019 crunchy guitar ballad “No Room for a Nihilist in Hollywood” performs whereas Callie and her boyfriend Kyle are hanging out in his room. Sadly, Callie breaks up with Kyle with little to no clarification within the scene.
“Inertia Creeps” by Huge Assault: The digital 1998 music “Inertia Creeps” by Huge Assault darkly underscores Taissa’s determined makes an attempt to caffeinate herself as she drinks a worrying quantity of espresso in a “preparing” montage. Nevertheless, the foreboding monitor solely speaks to Taissa’s rising instability within the 2021 timeline.
“Climbing Up the Partitions” by Radiohead: The ultimate music in Yellowjackets season 2, episode 2, is Radiohead’s deliciously darkish 1997 monitor “Climbing Up the Partitions,” and it scores the penultimate second of the installment. “Climbing Up the Partitions” performs as the women discover Jackie’s cooked physique, brilliantly chronicling their uncertainty earlier than giving in to temptation with fervor and consuming her in a feeding frenzy.
Yellowjackets Season 2, Episode 3, “Digestif”
“After I Go Walkin'” by Pope Coke: The 2020 music “After I Go Walkin'” by indie pop band Pope Coke performs within the background as grownup Natalie explores Lottie’s cult compound within the 2021 timeline. Earlier than working into Lisa, the acolyte she stabbed with a fork, she spots Lottie’s cabin, which mysteriously has a pair of antlers hanging over the door.
“Seether” by Veruca Salt: Feminine-led alt-rock band Veruca Salt accompanies Misty’s stroll to Walter’s boat with their 1994 hit “Seether.” The music completely captures Misty’s frenetic stress as she’s about to satisfy the person who’s been primarily stalking her as they group as much as discover who kidnapped Natalie.
“Take Me Down” by Sonica Disturbia: Whereas Shauna enjoys her alt bands, Jeff goes for one thing a little bit tougher. “Take Me Down” by Sonica Disturbia performs whereas the 2 are leaving the diner of their minivan after a very tense dialog about Shauna’s affair. Jeff tries to make issues thrilling by taking her on an impromptu journey to Colonial Williamsburg, however the endeavor is minimize quick when they’re carjacked.
“Bells For Her” by Tori Amos: This episode marks the second time an installment has ended with a Tori Amos ballad. The 1994 monitor underscores Lottie’s mysterious imaginative and prescient, with the lyrics “Cannot cease what’s coming, Cannot cease what’s on its manner,” probably including that means to the mysterious hallucination within the Yellowjackets season 2, episode 3 ending.
Yellowjackets Season 2, Episode 4, “Outdated Wounds”
“Rainbow Tour” by Andrew Lloyd Webber and the Authentic Evita Forged: The primary music in Yellowjackets season 2, episode 4, is from Andrew Lloyd Webber and Tim Rice’s famed Broadway musical Evita. The monitor is usually recommended whereas Misty and Walter are driving to upstate New York to seek out Natalie. Misty places the tape in Walter’s automobile, and the scene then cuts to teen Misty and her good friend Crystal singing the opening of the music within the wilderness.
“Simply Get Over It” by James Donald Davies & Martin Jackson: The 2018 music “Simply Get Over It” by duo James Donald Davies and Martin Jackson, from the album Psychedelic Pop 2, performs as grownup Natalie and cult acolyte Lisa drive to the farmer’s market. The monitor underscores Natalie’s makes an attempt to discredit Lottie’s cult to Lisa, one thing she could be very fast to defend.
“Will not Waste A Day” by James Donald Davies & Martin Jackson: A James Donald Davies and Martin Jackson tune as soon as once more accompanies Lisa and grownup Natalie’s budding friendship. After an uncomfortable dialog with Lisa’s mom at her childhood dwelling, Natalie rescues Lisa’s fish by holding it in her mouth. The 2 skip the farmer’s market and head to the bar, the place this music performs as they talk about psychological well being.
“Angst in My Pants” by Sparks: Sparks’ 1982 music “Angst in My Pants” performs as Misty and Walter discover their separate mattress and breakfast rooms, searching for something suspicious. The monitor overlays a fast montage as the 2 indulge of their comparable idiosyncrasies, highlighting the connection that Walter is clearly searching for from her however that she is just too broken to reciprocate.
Yellowjackets Season 2, Episode 5, “Two Truths And A Lie”
“What’s Up?” by 4 Non Blondes: There is no higher music to introduce grownup Van’s morning rituals than the 1993 basic “What’s Up?” by the 4 Non Blondes. The tune accompanies a fast flashback of Van grabbing a snack and tossing some past-due payments into the trash earlier than opening up her retro video retailer. Taissa makes it to the shop immediately after, bringing the Yellowjackets season 2, episode 4 ending full circle.
“Huge Mouth” by Necking: Launched in 2019 on the album Minimize Your Enamel, “Huge Mouth” by Necking is sung dwell in Yellowjackets on the bowling alley the place undercover cop Matt has taken Callie on what may very well be thought-about a date. The music performs over their guess, by which Callie hustles Matt into kissing her if she will get a strike. Fortunately, he would not oblige given their age distinction and his standing as a police officer.
“Stayin’ Alive” by Tropical F*ck Storm: This cowl of the last word Bee Gees monitor, “Stayin’ Alive,” performs within the background as Misty and Walter are driving round and looking for Lottie’s cult compound. Misty rapidly ejects the tape, saying she wants to pay attention, so Walter tries to play the sport “two truths and a lie” to raised get to know each other. Teen Misty additionally briefly says the lyrics to “Stayin’ Alive” when she is attempting to revive Crystal after pushing her off a cliff.
“Mom” by Danzig: Danzig’s iconic music “Mom” underscores the ultimate moments of Yellowjackets season 2, episode 5, as Shauna goes into labor. It is a notable technique to shut out the episode, with Glenn Danzig’s recognizable drawl belting out the becoming lyrics as Shauna screams in ache.