From casting to the reducing room, One Piece creator Eiichiro Oda collaborated intently with the staff behind Netflix’s live-action sequence adaptation of his beloved story each step of the best way.
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io9 not too long ago chatted with sequence editor Eric Litman (Brokers of SHIELD) about how the present crafted its tackle the motley crew of younger misfit pirates. Guided by Oda, Litman labored on shaping the construction of the sequence in its first-act character arcs. We meet Monkey D. Luffy (Iñaki Godoy) as he’s starting his quest to be Pirate King, and the core members of his Straw Hat Pirates crew as they discover the Grand Line searching for the legendary treasure often called the “One Piece.”
“I used to be given episodes three and 4, directed by Emma Sullivan, and I couldn’t be extra thrilled about that,” Litman mentioned. He had been probably planning on becoming a member of the sequence since 2019, when his Brokers of SHIELD colleague and One Piece co-showrunner Matt Owens reached out to him—so Litman had fun body to organize. “Once I was taking the conferences, we had been nonetheless sort of deep in within the pandemic. I used to be capable of go and watch a number of the anime on Netflix and I cherished it. I assumed it was nice… however I actually tried to learn lots of the manga, which is what the present is de facto primarily based on.”
Litman went on to change into considered one of three editors to work on the sequence’ pilot episode, marking the beginning of his expertise taking notes immediately from Oda. “We acquired notes from Oda as soon as the episodes had been performed and he was very proud of every thing. He gave us actually nice constructive [and] actually attention-grabbing notes,” Litman mentioned.
One activity Litman and his staff confronted was discovering methods to include particulars from every character’s backstory—no small feat, for the reason that One Piece anime has lots of of episodes filled with lore. “We had lots of scenes in there that had been nice scenes. And so they had been they had been scripted and shot and minimize in a linear trend,” Litman shared concerning the episodes that introduce Usopp and provides us extra backstory on Zoro. “So only one scene after one other, and the performances had been terrific. They only took lots of time to get via that stuff—specifically Kaya and Usopp’s episode three, when Kaya is speaking to Nami about her love for Usopp, and similar factor for Usopp speaking to Luffy and Zora, the place he’s hiding his love for Kaya. However we each know that they love one another.”
Picture: Netflix
He continued. “It was only a nice sequence of scenes, however they simply took a very long time to get via. And we acquired a observe [from Oda] that mentioned, ‘Hey, is there a option to intercut? Is that attainable to do?’ And to Matt and [co-showrunner Steven Maeda]’s credit score, they had been very gracious in permitting the editors to listen to the broad stroke notes.” Litman was then given time to determine the best way to intercut the scenes. “We had been capable of we alter a line right here, change a line there to make it right into a question-answer sequence. We had been capable of intercut these sequences after which we might determine it out, the construction to do all that. And we offered it to the producer, to the showrunners, they usually simply cherished it they usually had been actually completely satisfied.”
One Piece season one is now streaming on Netflix.
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