Within the Rolling Stone interview, Gilroy addresses the criticisms in opposition to his slow-burn trio of episodes, which steadily labored on significant world-building and offering Cassian with an acceptable, fleshed-out backstory. Though “Andor” picks up momentum round its fifth episode and shows its true potential with every successive entry, Gilroy argues that these preliminary episodes are essential as they enrich our total understanding of what drives Cassian Andor. Gilroy stated:
“You are completely enriched by it. It is like, you go watch a automobile industrial, and so they pull out a flag, a pet and a truck, and also you go, ‘Oh wow.’ The music’s proper, you actually really feel one thing for a second, however you stroll away and also you by no means give it some thought once more. It is this empty-calorie factor. If you happen to actually wanna really feel one thing, in case you actually wanna have one thing that lives with you, the requirement for that’s that you simply actually care. [You need] that funding that you simply made within the early episodes.”
Gilroy goes on to say that it’s as a result of we spend appreciable time with Cassian as a baby, and we see the trauma he undergoes and the fad he’s able to, we perceive a few of his actions higher down the road. The shift in Cassian from being just a few man who quietly makes swipes on the Empire for survival to a devoted insurgent with an unflinching dedication to the trigger is gradual, and the seeds of this transformation are sown throughout the first three episodes. This basically required Gilroy and his writers to interrupt conventional TV writing guidelines, as nothing right here is gift-wrapped to kind neat little conclusions. Identical to life, occasions happen with out correct closure, characters breathe their final with out fulfilling their function, and grand acts of riot come at a horrible value.